From Chapter 2:
Among the general audience of the theatre smoking seems to have been usual also. The anti-tobacconists among those present, few of whom were men, must have suffered by the practice. In that admirable burlesque comedy by Beaumont and Fletcher, "The Knight of the Burning Pestle," 1613, the citizen's wife, addressing herself either to the gallants on the stage, or to her fellow-spectators sitting around her, exclaims: "Fy! This stinking tobacco kills men! Would there were none in England! Now I pray, gentlemen, what good does this stinking tobacco do you? Nothing, I warrant you; make chimneys a' your faces!" But many women viewed tobacco differently, as we shall see in the chapter on "smoking by Women." Moreover, this good woman herself, in the epilogue to the burlesque, invites the gentlemen whom she has before abused for smoking, to come to her house where she will entertain them with "a pottle of wine, and a pipe of tobacco."

From Chapter 7:
With the reign of Queen Anne tobacco had entered on a period, destined to be of long duration, when smoking was to a very large extent under a social ban. Pipe-smoking was unfashionable—that is to say, was not practised by men of fashion, and was for the most part regarded as "low" or provincial—from the time named until well into the reign of Queen Victoria. The social taboo was by no means universal—some of the exceptions will be noted in these pages—but speaking broadly, the general, almost universal smoking of tobacco which had been characteristic of the earlier decades of the seventeenth century did not again prevail until within living memory.